I met my maestra, Lolita, at a party given by our landlord. Gringo musicians would have called it a jam. Almost everyone in the room performed at least one song before the evening was over, and while the Capt was videotaping the proceedings, Lolita invited me to sit with her and her daughter, Lolita Jr. at their table. Both are English and music teachers, so we had a lot to talk about (mostly in English, which made it easy for me). I said I was looking for a Spanish teacher, she said she was looking for someone to sing with. A perfect match!
These days she's busy with the church choir she directs, but for 30 years she taught English in the schools, and privately taught classical music. Some of her students went on to become opera performers. She knows four languages and sings in Italian and French. Someday she might teach me some Edith Piaf songs; then I could be a chanteuse, too! In my dreams...
So I go to Lolita's house, across from her hotel, on Mondays and Wednesdays. We spend an hour on Spanish and then an hour on music. She starts me off with an exercise to strengthen my throat and lungs, which seems to be working. I'm able to take deeper breaths and my voice is getting stronger.
Since then, I've begun singing almost every day, and not a word of it in English. I dug up all the Latin tunes I'm familiar with but didn't know the lyrics, brought them to Lolita and she translated them for me. So much easier to sing a song when you know what you're saying. We're harmonizing on a few of them and starting to sound not too bad. Lolita has a sweet soprano and I'm more comfortable on alto so we blend well.
On iTunes I found recordings of each song, performed by popular cantantes, for practice. Sometimes it seems there are too many words for the number of beats in a measure, but once you learn how to fit them together, no problema! Then I can concentrate on rolling my R's.
In the process of listening to these talented divas, I've gained new appreciation for their vocal styles, their phrasing, how they convey emotion. They're not all Latin: Linda Ronstadt did a couple of albums, "Canciones de Mi Padre," with her brother and they're every bit as authentic as anything produced in Mexico. Lisa Ono is Japanese, partly raised in Brazil and known for popularizing bossa nova in Japan. Actress/singer Arielle Dombasle is French, but grew up in Mexico, and sounds like she's from the Thirties, very retro. Eva Mattes is German, but her voice is most like mine, and any key she's in, I can do too. Yolanda Martinez is an Apache from New Mexico who makes drums and wins bodybuilding contests as well as nominations and awards for her singing.
Lolita and I have never talked about performing, and I don't care if I ever have an audience again. We're just enjoying the process of making music. I asked her if she ever gets a rush when the music is just right, and she responded with a big smile that she knows just what I mean. Endorphins, she said.



These are my favorite songs (so far) and the recordings I'm working with. Some are more familiar to gringos by their English titles.
Amor Amor, Arielle Dombasle
Aquellos Ojos Verdes (Green Eyes), Quien Sera (Sway) and Volver a Empezar (Begin the Beguine), Lisa Ono
Besame Mucho, Eva Mattes
La Barca de Guaymas and Hay Unos Ojos, Linda Ronstadt
Solamente una Vez, Las Senoras De La Habana
Quizas, Quizas, Quizas (Perhaps, Perhaps, Perhaps), Sandra Echeverria
Sabor a Mi, Yolanda Martinez









